Empty – SFD

“I tried to think about photography today, I looked for things on our walk.”

Devin looks at me.  “That’s good.” He drags out the second word, questioning, waiting for the rest.

“I couldn’t.  Nothing was… good.”

He twists his mouth slightly in sympathy.  And Sir, standing slightly behind me, brushes my hair back behind my ear.

“What are you going to write about tonight?” Sir asks me, and I catch Devin’s quick glance at Sir’s face.  I wonder for a moment what the flicker in his expression was.  Judgment? Worry?  It’s gone now, his eyes focused again on me, his expression returned to mild concern and interest.

I shrug.  I’ve been standing on the porch for ten minutes, in the darkness, watching the leaves move in the breeze, black silhouettes against the steel-gray sky.  “I don’t know.  I don’t…” I cast again within myself for anything, but it is like searching an empty room.  “I have nothing.  I have no ideas.”

“What have you been thinking about out here?” Sir’s tone is even, there is no hint of condemnation in it or his words, but I feel it, a phantom of my disease, and I curl slightly around the hurt.

“I’ve been thinking nothing.  I… I have nothing inside of me… It’s all blank and empty.”

Sir gives a soft laugh, “Lia, your brain is never empty.”

He’s right.  It’s not completely empty.  My own voice keeps echoing, think, think, think about trees, think about night, think about the wind, think about shadows, think of something… think!  But I don’t say anything.  I turn toward the railing and lean over it, putting my back to the light spilling out the open door, hiding the sheen of my tears in the darkness.

“You’re depressed,” Devin says, and I glance at him, but his eyes are fixed on Sir.

I don’t turn to look at Sir’s face, but he doesn’t answer, and I wonder what Devin is seeing.

Another breath and the tears have retreated along with the feeling that preceded them.  Blank again, I turn.  “I’ve been depressed for weeks.  I’ve still been able to write, even if it was just journaling or ranting.”

“Different symptoms manifest at different times.”

“Anhedonia,” Sir adds quietly.

“I know how depression works.  Jesus.” A sharpness is suddenly in my voice, and I shrug away from Sir’s hand which has been resting in the small of my back.  He lifts it and brings it down in a sharp swat to the seat of my jeans.  Though his body doesn’t touch mine, I can feel his heat as he leans close to me.

“Would you like to write about how well these branches work as switches?”

I catch Devin’s look, his eyes wide, his lips pressed tight.  I can almost hear his shut up, for Christ’s sake! and I grate out, “No, Sir.  I’m sorry, Sir,” and I let my head droop.  Even his threat, which I know should have sent a jolt of icy anxiety through my guts, barely stirred me.

I hear Sir sigh heavily behind me.  He’s frustrated.  It’s hard for him to watch me suffer, to be unable to do anything, to solve the problem.  It’s hard for Devin, too, and I watch him for a moment from the corner of my eye.  His gaze is turned downward; he looks sad and worried.

I take a breath to speak, then stop.  I already know the answer, and it suddenly seems pointless to try.  I sigh, and dredge the depths of my reserves, “Sir?  Could I… skip one night?”

He’s silent for a long time, and I stare into the shadows, shifting with the wind.

“No,” he says, finally, and I bow my head in acknowledgment, feeling nothing.

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2 Comments

  • villemezbrown

    I think maybe I should feel that Sir (the Sir in this piece) is pushing too hard, being unfair. Is that what Devin is feeling? The possibility is there – the reader is left the space for that possibility at least, I believe. By all rights this should trigger all my most protective, doggedly loyal responses. But how can it when the end result is so beautiful, so good? How much of a selfish shit am I that I can read all about emptiness and a truly disturbing lack of feeling, and a good chunk of my brain is focused on the skill and talent required to convey that darkness so clearly, so elegantly?

  • Shadow

    LOL, thanks Adele. And… don’t worry, MY Sir wasn’t nearly as… callous, in dealing with me about this situation. A lot of these SFD pieces are… collages of bits and pieces of real life and then glued together with fiction. This one went further from reality than many of them, but maybe that’s good. Sir (mine) says it is. I don’t actually like this piece, I felt that the Sir was callous. But Sir (mine) says that that’s good. That’s what Shitty First Drafts are for. They are to just get ideas out and if I write something I don’t like, then it means I might actually be making progress towards really writing shitty first drafts… (Is it weird that this is a lofty goal for me?)

    Anyway, this was inspired by events last night. I really did stand on the porch and try to think of something to write about wind or trees, or anything… And I did really try to do photography yesterday and fail. And I talked to Sub Brother about that. I understand the anhedonia myself, but Sub Brother did suggest that my writing block may be biological and tied to the depression, which I hadn’t been thinking about. Um… and Sir did make a joke about switches from the trees, but it wasn’t a threat, it was a joke, but it wound up in my story… Because… you know… NO ONE IS SAFE from ending up in a story somehow. 🙂

    So the reality that inspired this story was significantly different, but elements of it became the pieces of the collage that I put together to make the story… I didn’t think I had a story in me, actually, but… I managed it.

    Sir actually just suggested a project where I take my SFDs (that are inspired by actual events) and write the parallel real events as they actually happened, just to show the contrast.

    I think my actual reality would be boring and disjointed… That, and, many of my fiction pieces I’ve written in my life have been pieced together from multiple real life events, sometimes with multiple different people over a period of years.

    But I’ll think about it.

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